Showing 40 items matching silk cape
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Kew Historical Society Inc
Clothing - Cream Silk Evening Cape, House of Youth, 1960s
... Cream Silk Evening Cape...Three quarter length flared cream coloured silk cape caught... Cream Silk Evening Cape Clothing Three quarter length flared ...THE HOUSE OF YOUTH label was founded c.1935) by Mr. Samuel Stein. By 1955 Mrs. Stein, his son, Philip, and his daughter, Elizabeth, all played an active part in the business. The connection with Dior came to them without seeking. Dior, that man of fashion genius, had come to the conclusion that the Australian market offered a scope he could not afford to ignore. He questioned many visitors to Paris and decided that the House of Youth was the obvious channel through which his designs should flow to the Australian woman. Completely versatile, this firm is capable of covering every phase of fashion production, from impeccably tailored suits and coats to softly draped, intricately cut dresses and evening gowns. Mr. Philip Stein was modest when asked what Dior thought of their copies, but confessed that Dior, had been "very flattering". Dior had-been greatly impressed with the standard of Australian craftsmanship, and, as a result of the success of this joint Parisian-Australian fashion venture, it is whispered that the great man himself is seriously contemplating a visit to Australia. (Source: The Argus 22 Feb 1955)The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three quarter length flared cream coloured silk cape caught at the neck and waist with two large buttons covered with the same coloured fabric.Label: House of Youthwomen's clothing, house of youth, evening coats, australian fashion - 1960s -
Kew Historical Society Inc
Clothing, Black Silk, Lace & Jet Cape, 1980s
... Black Silk, Lace & Jet Cape...Late Victorian black watered silk cape with a wide border... Clothing Clothing Black Silk, Lace & Jet Cape Late Victorian black ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black watered silk cape with a wide border of machine made lace. The cape is extensively adorned with beads of black jet. Two long pieces of black lace fall from the neck at centre front. The cape was owned by one of the donor's maternal ancestors.capes, australian fashion, women's clothing, victorian fashion -
Kew Historical Society Inc
Clothing - Reversible Black Velvet and Apricot Silk Evening Cape, 1920s
... Reversible Black Velvet and Apricot Silk Evening Cape...Reversibleb black velvet and apricot silk evening cape... Reversible Black Velvet and Apricot Silk Evening Cape Clothing ....The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This cape is one of a number of items donated to the Fashion Collection by Dione McIntyre. The cape was owned by her mother Lillian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Reversibleb black velvet and apricot silk evening cape with black tassels. The rolled collar is typical of the 1920s.women's clothing, evening wear, capes, australian fashion - 1920s, lillian cohen, mcintyre collection -
Flagstaff Hill Maritime Museum and Village
Clothing - Double Cape with Collar, Late 19th century
... Silk cape.... The cape material appears to be a cream ribbed silk with the lining... that time. The light colour, silk material and lace suggest a cape ...The cape is of a style from the Victorian or the Edwardian Era and so provides a good example of women's clothing from that time. The light colour, silk material and lace suggest a cape used for special occasions with the possibility of initially being a wedding cape.The item is of significance historically and socially as an example of women's clothing in the Victorian and Edwardian eras.Ladies cape consisting of two circular tiers and a collar. The inner tier is knee length with a thin lace insert around the hem. The outer tier is elbow length with a wide lace edge and the thin lace insert inside this. The collar has lace edging and a lace insert of the same width. The lace used is of a repeat flower pattern most likely made of a combination of silk and cotton. The cape material appears to be a cream ribbed silk with the lining being of a polished cotton or silk variety. Both materials have a silken sheen in the right light. A silk ribbon ties the cape at the neck. The lining and lace have been sewn with fine hand stitching.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, ladies cape, double cape, silk cape, layered cape, cape with lace collar, decorative lace edging, victorian era, edwardian era -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's jacket / cape, c1900
... This baby's cream silk jacket / cape with lace trim...A baby’s cream, silk, jacket / cape with lace trim..., baby's jacket / cape Clothing A baby’s cream, silk, jacket / cape ...This baby's cream silk jacket / cape with lace trim is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesA baby’s cream, silk, jacket / cape with lace trimclothing, craftwork, brighton, moorabbin, pioneers, dressmaking, early settlers -
Orbost & District Historical Society
cape, Before 1922
... cape silk clothing...A black shoulder cape made of crepe silk. It has scalloped... gippsland cape A black shoulder cape made of crepe silk. It has ...This cape comes from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.A black shoulder cape made of crepe silk. It has scalloped edges and is probably hand-made. It fastens with press studs and the hems have been machined.cape silk clothing -
Kew Historical Society Inc
Clothing, Black Silk Taffeta & Guipure Lace Pelerine, 1890s
... Late Victorian black silk taffeta cape featuring extensive... Pelerine Late Victorian black silk taffeta cape featuring extensive ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk taffeta cape featuring extensive use of high quality guipure lace on the front and at the back. While the lace is in excellent condition, there is extensive splitting of the silk fabric. The cape was owned by one of the donor's maternal ancestors.capes, women's clothing, australian fashion, victorian fashion, costumes, micky ashton -
Clunes Museum
Accessory - CAPE
... BLACK VELVET BEADED CAPE - SILK LINED, SILK TRIM.... Accessory BLACK VELVET BEADED CAPE - SILK LINED, SILK TRIM. NIL ...BLACK CAPE BELONGING TO MRS. CATHERINE KELLY - FROM CARGERIE AND SKYE - SCOTLAND. GRANDMOTHER OF MRS. KIT SWANTONOF BALLARAT.BLACK VELVET BEADED CAPE - SILK LINED, SILK TRIM.NILlocal history, costume, female, womens clothing -
Kew Historical Society Inc
Clothing - Black Silk Embroidered & Fringed Shawl, c.1910
... Fitted black silk cape or shawl, joined at the neck... silk cape or shawl, joined at the neck, and incorporating ...The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls -
Brighton Historical Society
Cape, 1890s
... Black silk satin cape with corded design. Black fur trim... and Wilson Streets Brighton melbourne Cape Cape Black silk satin cape ...Black silk satin cape with corded design. Black fur trim on collar, centrefront openings and hem. Lined with quilted black silk. Watch pocket on left proper interior. Wool interlining.cape, 1890s -
Brighton Historical Society
Outfit, Evening outfit, 1930s
... of dress lined with magenta and yellow silk. .1 - cape .2 - dress... with magenta and yellow silk. .1 - cape .2 - dress .3 - floral spray ...This evening outfit was made and worn by Bertha Frances Dudfield (nee Bruere, 1892-1982). Bertha was born in Christchurch, New Zealand in 1892, one of twelve surviving children. Her family migrated to Australia, living first in St Kilda before building the house 'Avon' at 42 Bay Street, Brighton, where Bertha lived with her husband Ambrose Reginald Dudfield until 1975.Evening outfit comprising magenta feathered cape, full-length black velvet dress and a spray of silk flowers. Hem of dress lined with magenta and yellow silk. .1 - cape .2 - dress .3 - floral sprayevening dress, feather cape, bertha dudfield, brighton, 1930s -
Kew Historical Society Inc
Clothing - Cape
... Off white quilted silk cape, with bands of red wool...Cape Clothing Off white quilted silk cape, with bands ...Off white quilted silk cape, with bands of red wool. The shoulderless cape is tied at the neck by a simple cord. The overall shape of the cape includes two- triangular panels, one overlaying the other. Each panel is fringed. There is one tassel hanging from the outer cape from centre back. The cape is lined with a cream cotton fabric. Measurements - Inner panel: Length neck to hem front 81cm; Neck to hem back 100cm; Circumference 158cm; Shoulder width 29cm. Outer panel: Neck to hem front 43cm; Neck to hem back 55cm; Circumference 114cmName in ink on lining at neck: capes, clothing -
Glenelg Shire Council Cultural Collection
Clothing - Childs Cape, 1900-1910
... Cream silk child's cape. Hand-crocheted lace edging around... Cream silk child's cape. Hand-crocheted lace edging around side ...Cream silk child's cape. Hand-crocheted lace edging around side and bottom edges. Hand-crocheted lace insert between two sections of pintucking, edged with embroidery. Main body of cape gathered onto plain yoke. Silk binding around neck. Garment Measures: Width at yoke: 30, Width at hem: 215, H: 50 -
Kew Historical Society Inc
Clothing - Cerise Velvet Capelet, 1930s
... A high waisted crimson silk velvet fitted cape featuring.... The cape is decorated at the base with crimson silk diamond shaped ...An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.A high waisted crimson silk velvet fitted cape featuring long panels of velvet at the front. The cape is decorated at the base with crimson silk diamond shaped velvet drops. All is lined with cherry red silk.capes, women's clothing, evening wear, edith mary weir (nee betteridge), illapa - 84 princess street -- kew (vic.), fashion -- 1920s -
Nhill & District Historical Society Inc.
Clothing - c 1860 Wedding dress of Erstine Schlisweg, 1860
... ; cape is silk, slightly gathered so it elegantly flows over...; cape is silk, slightly gathered so it elegantly flows over ...Erstine Schlisweg married William Bosse in Germany in 1860, later settled in Nhill districtSettlers in Nhillc 1860 Three piece silk & lace wedding ensemble handmade in Germany, consisting of a silk full length skirt with lace & ribbon trim which hugs the waist, flows into a small train at the back; the high round neck, sleeveless bodice/top tucks into the skirt, is silk with pleats down either side of a lace panel in front; cape is silk, slightly gathered so it elegantly flows over the shoulders, finishing below the hips, is trimmed with lace around the neck and bottom. Lace & ribbon trims wedding dress, william bosse, erstine schlisweg, nhill, german - textiles - handmade -
Blacksmith's Cottage and Forge
Bed Jacket
The bed jacket, a woman's garment, is a waist-length robe worn to cover the chest, shoulders and arms while sitting up in bed. Its short length and cape-like cut allowed it to be put on (or removed) while in bed. Often made of sheer or lacy fabrics and displaying very feminine trimmings and details, it was often used more for seduction, rather than warmth or modesty. It was popularized in 1930s Hollywood films featuring glamorous settings and glamorous stars lounging languorously in their silken bedrooms. Ostrich feather tips, swan’s down, pleated tulle and shirred lace were just a few examples of the extravagant materials that could be used in creating these confections. These garments are currently very popular with people who have been hospitalized or recommended bed rest. (Source: http://www.wikipedia.com) Pale lemon coloured ladies silk bed jacket with silk lace edging. Figured silk bow tie at front neck.home, lace, female, ladies, silk, bed, jacket, bow, made -
Learmonth and District Historical Society Inc.
Baby Dress, Unknown
This baby's dress was possibly worn by Mrs Cuthbertson nee Hooper,after her birth in 1881,and was in the possesion of her daughter Joan Charles.This is one of only two Babies Dresses in the Learmonth and District Historical Society Inc. collection.This hand made cream silk baby's dress has a button through front with a cape style collar that has been embroided in cream on the front, and with scolloped edging all around.The bottom of the skirt has three rows of wide pin tucks just above the hem. clothing, babys dress, smocking, family of joan charles, haberdashery, mrs cuthbertson hooper -
Port Fairy Historical Society Museum and Archives
Clothing - Cape, c.1920
not recordedA beautiful example of feminine apparel from the art deco periodGold velvet evening cape with ruched collar and pleated basque handpainted dragon, flora outlined in gold thread with silk liningcostume, female, art deco -
Stawell Historical Society Inc
Clothing - Costume and Accessories, 1949
Yellow Velvet Evening Cape with Taffeta Collar. Cream Silk Linings Gold Frog & Button Fastenings on collar. Waist Length. McClure collectionstawell clothing material -
Brighton Historical Society
Cape, Capelet, circa 1920
This capelet belonged to Ellen Grace Snowball, nee Anketell, (1866-1945), who lived with husband Oswald Robinson Snowball (1859-1928) at 'Wolsingham', 11 Boxshall Street, Brighton. Oswald Snowball was a solicitor and politician who was active in the Freemasons and the Orange Order. Active in Protestant moral crusades during the 1990s, he was a vocal opponent of liquor and gambling and advocated Bible reading in public schools. In 1909 he succeeded Sir Thomas Bent as Brighton's representative in the Victorian Legislative Assembly, a seat he held for close to twenty years until his death in 1928. During his last year of life, despite serious illness, he served as Speaker of the Legislative Assembly under the Hogan government.White ostrich feather capelet. Feathers sewn onto crescent-shaped cream cotton fabric, with an elaborate silk tassel at either end.ellen grace snowball, ellen grace anketell, oswald snowball, capelet, ostrich feather, 1920s -
Kew Historical Society Inc
Accessory - Irish crochet pelerine, 1890-1910
One of a group of items including lace and crochet collars, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A pelerine is a woman's long narrow cape or tippet, with ends coming down to a point in front, usually of silk or lace, or of the material of the dress.Irish crochet pelerine. L 31 cm / W 31 cm / Circumference 94 cmcrochet, irish crochet, pelerines, accessories -
Kew Historical Society Inc
Accessory - Tape lace pelerine, 1890-1910
One of a group of items including lace and crochet collars and pelerines, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. A pelerine is a woman's long narrow cape or tippet, with ends coming down to a point in front, usually of silk or lace, or of the material of the dress.Tape lace pelerine. L 41 cm / W 57 cm / Circumference 142 cmpelerines, accessories, tape lace -
Kew Historical Society Inc
Album, Louisa G Thomas, Victorian Era Sketchbook, 1862
Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection -
Kew Historical Society Inc
Clothing - Silk & tulle capelet decorated with jet passementerie, c.1900
The capelet was owned by Bridget Fitzgerald (nee Shannon) who emigrated to Australia from Ireland and subsequently lived in the Victorian country town of Tilden. Bridget died in about 1906 and is buried in the Kyneton cemetery. The capelet was passed on by descent to her granddaughter.Well-provenanced evening cape, worn by Bridget Fitzgerald in the Central Victorian Goldfields district.A black satin shoulder capelet covered with fine silk tulle, embroidered with jet passementerie and black sequins. The capelet which when open is circular is joined at the front by eyelets and hooks. The second photo includes a photo of the donor, Mrs Joan Carr, with the cape at the time of its donation.bridget fitzgerald, bridget shannon, women's clothing, australian fashion - 1890s, capelets, capes -
Kew Historical Society Inc
Clothing - Black Silk & Guipure Lace Evening Dress, 1980s
Netta Fuller and her husband Alec were long-term residents of Kew. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations.Two piece black silk evening dress, comprising sleeveless bodice and full-length skirt with inset panels on both pieces of guipure lace on tulle.australian fashion - 1950s, evening dresses, evening wear, netta fuller -
Kew Historical Society Inc
Clothing, Black Silk & Lace Bodice, 1890s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices -
Kew Historical Society Inc
Clothing - Evening Wear, Black and Silver Sequin Capelet, 1930s
Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Black silk chiffon or georgette fitted evening cape,let entirely covered in silver metal rectangles and black sequins. The cape gives the appearance of being joined at the front, however it is made in one piece. The cape has open scalloped sections bordering the lower band of silver metal rectangles. The cape was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. evening wear, capelets, doris bennett (nee wilmott), women's clothing -
Kew Historical Society Inc
Clothing - Lace and Sequins Evening Capelet, 1930s
Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Black silk chiffon or georgette loose-fitted evening capelet, decorated with a wide border of silvred sequins. Sequins are also used in the body of the cape, either individually or in circles. The capelet was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her granddaughter. women's clothing, evening wear, evening dresses, capes, susan barnett, doris bennett (nee wilmott) -
Flagstaff Hill Maritime Museum and Village
Clothing - Capelet, c. 20th century
A capelet is a small cape, usually worn around a person's shoulders and often chosen to wear with an evening outfit. The design may include a hood, collar or even ruffles. Fabrics range from fur, leather, velvet and wool to shear silk and net. Trimmings include buttons, lace, ribbon, and tassels. A capelet was a fashionable garment from the late 19th to the early 20th centuries.Capelet with collar. White fur lined with white fabric. flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, capelet, cape, evening wear, fur garment, fashion, edwardian, victorian, white fur -
Kew Historical Society Inc
Clothing - Fringed Cut Velvet & Chenille Evening Cape, 1890s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Cut velvet pelerine featuring multicoloured garlands of flowers in shades of gold, brown and blue on a pink ground. Chenille trim and long silk fringe, Centre front hook and eye closure, Lined with pale pink silk.women's clothing, outerwear -- capes, fashion -- 1890s, fashion design